Education
[2026 – present] • PhD in Music: Composition and Music Technology at Northwestern University (USA) with Kelley Sheehan
[2024 – 2025] • Postgraduate (Ergänzungsstudium) in Music Composition at Musik-Akademie Basel (CH) with Caspar Johannes Walter
[2022 – 2024] • Master of Music in Composition at Musik-Akademie Basel (CH) with Caspar Johannes Walter, Johannes Kreidler, and Volker Böhm
[2018 – 2022] • Bachelor of Music in Composition (with Honours) at University of Toronto (CAN) with Norbert Palej, James Rolfe, and Bekah Simms
Related Work Experience
[2025 – present] • Freelance Music Copyist and Editor
[2025 – 2026] • Personal Assistant to Composer, Zara Ali
[2021 – 2022] • Library Assistant at Canadian Music Centre
[2020 – 2022] • Lead Composer & Coordinator for The Gallery at Green Room Sound Collective
[2019 – 2022] • Composer at Green Room Sound Collective
Honors
[2026] • Project Funding from: GGG Kulturkick Basel, Stiftung-Wolf, and Willy A. und Hedwig Bachofen-Henn Stiftung for Blueprints I and Blueprints II
[2026] • SOCAN Foundation Award in Electroacoustic Music (1st Place Prize)
[2026] • SOCAN Foundation Award in Solo and Duet Music (3rd Place Prize)
[2025] • Micheline Coulombe Saint-Marcoux Award through Canadian Electroacoustic Community
[2025] • Winner of Canadian Electroacoustic Community’s Jeu De Temps (3rd Place Prize)
[2025] • Eduard Brunner Composition Prize at Musik-Akademie Basel
[2024] • Best Thesis Prize at Musik-Akademie Basel for Entropic Drift: The Invisible Tendencies Behind Sonic Systems
[2023] • Scholarship from Fondation Nicati – de Luze for Master’s thesis and related series of feedback works
[2023] • Inclusion in Canadian Section’s official submission to 2024 ISCM World Music Days
[2022] • SOCAN Foundation Award in Electroacoustic Music (Under 21 Prize)
[2021] • SOCAN Foundation Award in Electroacoustic Music (Under 21 Prize)
[2021] • SOCAN Foundation Award in Chamber Music (Under 21 Prize)
[2021] • Nominated for Oxford Rhodes Scholarship by the University of Toronto for excellence in Composition
[2021] • Fay Hethrington Scholarship for excellence in Composition
[2018] • University of Toronto Scholar Scholarship Award
Residencies and Development Programs
[2026] • FORUM du NEM (with festival commission burrow — scar) under mentorship of Lisa Streich and Jean-Michaël Lavoie
[2026] • Fromm Foundation Composer Fellowship (with festival commission etch from the inside)
[2026] • SWR Symphonieorchester Meisterkurs under mentorship of Luxa M. Schüttler and Joanna Bailie, and direction of Jonathan Stockhammer
[2026] • Canadian Music Centre Artist in Residence
[2025 – 2026] • Toronto Symphony Orchestra Explore the Score
[2025] • Synesthesia Lab (with festival commission and their carcasses scattered over the sod (ii))
[2025] • International Young Composers Academy with MCME
[2025] • Guest Artist and Electronic Performer at blurred edges Festival
[2025] • impuls Festival (with two special program selections and two premieres)
[2023] • Donaueschinger Musiktage Next Generation Program
[2023] • impuls Festival (with special program commission from Zone Expérimentale Basel)
[2022] • Donaueschinger Musiktage Next Generation Program
[2022] • Electroacoustic Residency at the Academy of Music in Krakow, Poland through Residency Prix CIME
[2021 – 2022] • ConneXions Mentorship Program through Canadian New Music Network with Darren Copeland
[2021] • Festival commission from Du Vert à L’infini
[2021] • Arraymusic YCW Mentorship with Raven Chacon
[2020] • precept.concept.percept through .abeceda Institute
Discography
[2025] • Rusting, Sloughing Away and And, as the ground consumes released on Entropic Systems by Jacob Mason
[2022] • Fetid Echoes, Rebirth released on Strefa 522 through audiomat
[2022] • Marine Transmutations (*electronic track only) released on Prix CIME 2021 through audiomat
Coverage
[2026] • Landscapes, Unfamiliar with SWR Symphonieorchester and Jonathan Stockhammer broadcast on SWR1 Radio (DE)
[2026] • Quondam, Apparatus with Musik-Akademie Basel broadcast on WQRT 99.1 Radio (USA)
[2026] • Quondam, Apparatus with Musik-Akademie Basel broadcast on FSK 93.00 Radio (DE)
[2025] • Interview on What remains can seldom be obscured. published on contemporary music magazine article, Percorsi Musicali (IT)
[2024] • Interview as part of the [synopsis] series with Inštitut .abeceda and Neža Zupanc (SL)
[2022] • Interview on An Inevitable Decay, Rot as part of IMMERSED Series with the Bedford Trio (CAN)
Affiliations
[2025 – present] • Associate Composer at Canadian Music Centre
[2025 – 2026] • Member of Canadian Electroacoustic Community
[2021 – present] • Member of SOCAN
[2021 – 2022] • Member of Society of Composers, Inc.